Saturday, September 6, 2014
Kristen Stewart Interview with The Independent (Cannes)
Twilight made Kristen Stewart one of the most recognizable people on the planet.
It helped that life also mirrored art; as the onscreen relationship between Bella Swan and Edward Cullen developed so too did that of Stewart and her British co-star Robert Pattinson. They even got abbreviated nicknames – the ultimate celebrity status symbol – and the internet was alive with talk of K-Stew and R-Pattz. What would happen when Twilight ended, fans wondered.
Given this context, Stewart’s performance in Clouds of Sils Maria takes on added meaning. The French-set drama deconstructs the media’s reaction to celebrity. Stewart plays Val, American assistant to a superstar actress Maria Enders, played by Juliette Binoche. Enders is at a career crossroads, bored of making the occasional Hollywood blockbuster and with European art-house hits few and far between she is faced with the conundrum of whether to accept a part in the revival of the play that made her famous. The twist is that this time round she has been asked to play the mother and not the starlet. To add a further layer to the fact-versus-fiction underbelly, the film’s director Olivier Assayas wrote Rendez-vous, the 1985 film that launched Binoche. The key scenes of Sils Maria are numerous discussions between Maria and Val, about life, love and art.
“Oh dude!” says Stewart (Americanisms such as “dude” and “it’s like” litter the 24-year-old’s speech). “This part is so perfectly timed and coincidental, it’s so perfectly cast. Olivier didn't write it with me in mind, but as soon as he and his producer Charles [Gilibert] were considering casting this part – I had worked with Charles on On the Road – they sent me the script and it was, like, ‘God, this is perfect’. It’s just so much more relevant for me to say these words. It’s not why the movie was made, but it was really fun to say in a film, out of the context of an interview, that it is so ridiculously scary, weird, super-surreal and odd that people are obsessed with voraciously consuming bulls**t.”
Part of this bulls**t, says Stewart, is the public image that the media gave to her. “Initially, and I’m not saying anyone’s public image of me is wrong, that would be a silly thing for me to say, but I was deemed very ungrateful [for my success], like I didn't care.” At this point, Stewart gets very animated, her tiny frame growing as she raises her voice. “Do not think I didn't care, it was because I was nervous and freaking out that everyone was staring at me all the time.”
PS: There is a reference to 2012 at the beginning but I left it out here.*
For the rest of the interview go here